Gluing the black walnut back. Jae is making sure the plates are properly aligned
Photo added on 02/06/2019
Gluing the rosette
Photo added on 02/06/2019
Jae uses pins to tighten the join between the lines of purfling and the surrounding spruce
Photo added on 02/06/2019
Gluing the braces
Photo added on 02/06/2019
Carving the braces
Photo added on 01/08/2019
Bending the cutaway
Photo added on 01/08/2019
Gluing the fingerboard
Photo added on 01/08/2019
Cutting the mother of pearl inlay for the headstock
Photo added on 01/08/2019
Raising the grain involves wetting the surface and re-sanding which ensures a smoother finish
Photo added on 01/08/2019
Filling the pores is necessary for many woods to give a flat finish
Photo added on 01/08/2019
Time for re-assembly and re-stringing
Photo added on 03/08/2019
Jae's finished guitar
Photo added on 03/08/2019
Jae's walnut back with 'Rorschach test' figure...
Photo added on 03/08/2019
Jae's headstock with butterfly inlay made up of his initials
Photo added on 03/08/2019
The butterflies continue on the fingerboard of an electric guitar Jae made alongside his acoustic. Here he melts shellac stick in the fret slot ends.
Photo added on 03/08/2019
Plugging in and testing
Photo added on 03/08/2019
Jae's electric
Photo added on 03/08/2019
The English alder back
Photo added on 03/08/2019
Jae with both of his guitars
Photo added on 03/08/2019